disarming II performance

[rev_slider alias="disarming-II-performance"][/rev_slider] disarming II performance continues Emanuel Gollob´s disarming series with a performative improvisational setting involving a dancer and a detached robotic arm. Throughout the 25-minute-long performance, the detached industrial robotic arm ReBel continuously tries to learn how to move forward from the status quo in the human-robot-environment relation based

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LORMBOT

[rev_slider alias="lormbot"][/rev_slider] "Lormen" is a communication technique used by deafblind people with non-deafblind people and by deafblind people with each other. The "speaker" touches the palm of the hand of the "reader". Each finger, as well as certain parts of the hand, are assigned to specific

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SPLIT SUBJECT

[rev_slider alias="pavilion-11"][/rev_slider] a Lacanian term in the notion of the Subject in Psychoanalisys. It is also known as "$" in Lacan's four forms of discourse. Now, what if the interaction under the hood of Human Robot Interaction or HCI in general is rather the opposite? Perhaps it is first

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Kazakhstan Pavilion – Dubai Expo 2020

[rev_slider alias="ars-electronica-festival-2020-1"][/rev_slider] Performance directed by InsglückInvited to provide robotic solutions for the Kazakhstan Pavilion for the Dubai Expo 2020, the installation explores the synthesis of artificial intelligence, digital space and interaction with humans now and in the future. Creative Robotics was involved in the integration and

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Robodrum

Ars Electronica Festival 2020

[rev_slider alias="ars-electronica-festival-2015-1"][/rev_slider] Robodrum The robodrum project is a robotic setup consisting of 4 KUKA robotic arms equipped with drums, which doesn’t aim to replicate a human performance exactly, nor to be better or faster than one. Instead, it becomes an algorithmic system that allows visitors to leave acoustic traces.

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Robot, doing nothing

[rev_slider alias="Ars-Electronica-Festival-2017"][/rev_slider] Robot Doing Nothing in collaboration with COPA Data GmbH and KUKA CEE Installation at the Ars Electronica Festival 2017. Concept: Emanuel Gollob Robotics: Johannes Braumann Sonification: Michael Schweiger Visuals: Chris Noelle CREDITS Emanuel Gollob, Johannes Braumann

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Lightpainting

[rev_slider alias="Lightpainting"][/rev_slider] In collaboration with Chris Noelle A long-time exposure captures the robot's movement with its attached LEDs. CREDITS Johannes Braumann LINK Metofa

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Ars Electronica Festival 2015

[rev_slider alias="Ars-Electronica-Festival-2015"][/rev_slider] Incremental Forming In collaboration with RWTH Aachen Incremental Forming shows how an industrial robot – a machine that is commonly used for mass fabrication – can be used for mass customization, where every piece is unique and can be tailored to individual requirements. Building upon the

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Ars Electronica Festival 2016

[rev_slider alias="Ars-Electronica-Festival-2016"][/rev_slider] Sonic Degrees of FreedomARS Electronica Festival 2016 “Radical atoms and the alchemists of our time” sonic Degrees of Freedom is an audiovisual environment, that brings together the digital with analogue, and physical with virtual, turning a “collaborative” robot into a complex controller for the audio

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Homo Digitalis

[rev_slider alias="Homo-Digitalis"][/rev_slider] In collaboration with BR Contribution to documentary in BR. CREDITS Johannes Braumann, Christiane Miethge, Nils Otte

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